Kinsley interprets Bagalamukhi as "she that has the confront of the crane". Bagalamukhi isn't depicted using a crane-head or with cranes. Kinsley believes which the crane's behaviour of standing still to capture prey is reflective on the occult powers bestowed through the goddess.[5] Pujyapaad was also referred as ‘Swamiji’or ‘Maharaj’ https://www.instagram.com/tantramantraaurvigyaan/reel/DA6ACEaONEJ/